Published. Camera Antipodea - Catalogue No. 1 (ISBN 9780473177911) is now in print.

Just a short note to mention that I've recently approved the final proof of this book for publication. Here are the details:

Camera Antipodea - Catalogue No. 1 / Photographs by Richard Mahoney
(Oxford: Indica et Buddhica, 2010). ISBN 9780473177911 (hbk).

The `street date' is 14 June 2011. This means that it is available straight away through Ingram but that one should allow fifteen business days for information to appear in all the usual distribution channels, Amazon, Baker & Taylor, Barnes & Noble, Bertrams, and Blackwell and so on.

For details please click on the image.

For details please click on the image.

For details please click on the image.

 For details please click on the image.

In press. Camera Antipodea - Catalogue No 1 / Photographs by Richard Mahoney. ISBN 9780473177911. Available: June 2011. Further details here.

Preliminary Study.

Following on from my previous post here is a second image together with some detail ...

In sequel to my last post on the poor image quality resulting from web browsers and computer monitors here is another example of a low resolution image with some detail.

Web browsers and monitors are a poor medium for representing the quality possible in large-format prints ...

Preliminary Study.

Preliminary Study. 

For details please click on the image. 

For details please click on the image. 

For details please click on the image.

For details please click on the image. 

For details please click on the image. 

For details please click on the image.

For details please click on the image.

For details please click on the image. 

For details please click on the image. 

For details please click on the image.

For details please click on the image. 

For details please click on the image.

Film manufacturers constantly stress the value of fine grain and high sharpness but ...

Werner Herzog on the scarcity of Images and Image-makers ...

``It is simply a fact—there are only a few images left.

``When I look out here I see everything is cluttered up. There are hardly any images to be found. One has to dig deep down like an archaeologist; one has to search through this violated landscape to find something.

``Naturally, there is risk involved, one that I wouldn't avoid. I see only a few people who take risks in order to change this misery—the misery of having no images left, none that are adequate. We desperately need images, those images that are relevant and adequate to our level of civilization—ones that correspond to those deep inside ourselves.''